Yesterday I took part in the University of Leeds, Faculty of Arts, Humanities and Cultures Postgraduate Researchers poster competition conference. this was a very useful exercise in examining my research questions, determining my research strategy and communicating all of this to the uninitiated! The aim was to focus on one aspect or angle of my research, rather than the main research area of the PhD.
The 2016 exhibition “Records & Rebels 1966-1970” at the V&A celebrated the fiftieth anniversaries of various socio-political and cultural landmarks of the 1960s and their expression through music, fashion and art.
While this rebellious culture was certainly revolutionary, aspects of it, namely the retrieval of older 19th-century styles and imagery may be seen as reactionary, e.g. to an enforced modernisation of London in the functional and austere rebuilding of the city following the war, or to an increasingly liberated female workforce. As the streamlined designs of the early 1960s celebrated this concept of modern life, the later 1960s pushed new boundaries in social norms and behaviours whilst simultaneously adopting older forms of representation and self-definition, evoking both female subordinate and intellectual/creative (e.g. Janey Morris, Christina Rossetti).
Within the context of my wider study of these revivals, I will focus upon the shift in the representation of and clothing of women of the late 1960s /early 1970s where designers were reviving imagery of an older world with older values and where the fashions and designs dated to a time before female suffrage. I will present these paradoxical identities within the 19th-century revivals in graphics, fashion and literature of the era.